Date: Mon, 7 Jun 1993 19:44:28 -1000 From: jeffy@syrinx.umd.edu (Jeffrey C. Burka) Message-Id: <1v18vs$cp@umd5.umd.edu> Organization: University of Maryland at College Park Subject: 3-D Flying article, Mark II Here's a revamped and updated version of my 3-D flying article of a year or so ago. It's lengthy, but I feel it's pretty informative. If you have any questions about something in it, feel free to write me! I hope some of you find it useful... Jeff --------- Old Style/Beginner's 3-D flying: 3-D flying (which I originally heard of as a javelin, but that only names the throw, not the catch...) is a technique mostly only done with Revs that involves taking your kite out of the spherical surface it usually flies upon. The most common trick is a catch-and-throw, which as I said is referred to as a javelin. As far as I know, Lee Sedgewick was the first to do it (at least in competition), and the move's been around for over two years. To do this move: a) fly your kites on short lines. I'd say lines between 20' and 50' are best; 50' is pushing it... The bigger the kite, the easier it is to do with longer lines. That is to say that it's very tough to fly a Rev II 3-D on 50' lines, but not too hard with a Rev I. b) fly the kite to the top center of the window and park it. c) give a sharp yank on the top two lines. For the Rev I, it's usually sufficient just to jerk the handles really far back with all pressure on the top lines. For the Rev II, it's best to quickly put one handle into the other hand and then use your free hand to grab the top lines about 2-3 feet from the handles and yank. The kite will suddenly start falling out of the sky right at your face at an alarming velocity. For me, the hardest part about learning to catch a Rev was learning not to flinch as the kites come toward you. I find it particularly unnerving with a 9' kite. Don't worry, though-- the kites are quite gentle when they hit your hand. All you do is put one handle into your other hand (if it isn't there already), reach up and catch the kite. The main advantange to the second yanking method (grabbing the lines) is that you have far more velocity directly toward you so the kite tends to fall right on the flier, making it possible to catch the kite without taking a single step. This is particularly important with the Rev II--the kite is so light that it tends to get moved around by the wind as it falls. d) You're now holding the kite in one hand and two handles in the other. First check to make sure the lines, where they are attached to the bridle, are clear. Often you'll notice that a line is tangled somewhere. Always clear your lines before throwing the kite. If you don't, you'll probably have to stake your lines and walk down to the kite to fix it. It's so much simpler to clear the lines when you've already got the kite in your hands! Hold the kite by the right wing tip and balance the center of the kite with your left hand (which is also holding the handles). Toss the kite downwind, being sure to follow through to the left as the kite leaves your hand. If you don't follow through and give the kite that bit of spin (just enough to rotate the leading edge so it is perpendicular to the wind direction), you are more likely to tangle your lines. The effect of all this is that the kite floats downwind to the end of the lines. It then stops and grabs wind, always inverted, so you have to be ready to give it some reverse to help it start to fly. Depending on the throw and the wind conditions, you may need to step back a bit. Once you get the hang of the throw, it's a great way to launch the kite--no need to worry about staking it down. ------------ 3-D in '93: new tricks for experienced flyers. The Javelin, as described above, is a pretty nifty trick and will probably surprise lots of people. But it's really only part of the story. What I'm about to describe are some modifications and hints for much more serious 3-D flying--the sort of flying that can really blow some folks' minds! When I first started flying 3-D two years ago, the generally accepted technique was to park the kite as high as possible directly above you and directly downwind. This is no longer necessary... Most of what I'll describe here are (reversible) modifications, intended mainly for a Rev II. The modifications and style of flying are really meant for experienced Rev flyers. I've had people walk up to me and say, "I've got one of those kites but I _never_ move my arms like *that*!" These modifications are largely lifted (with appreciation) from Lee Sedgewick and Dave Brittain. You'll find that they'll not only improve your 3-D and radical flying, but also help you fly your kites in a much lower wind. I now fly a "stock" RevII in winds some folks might consider a bit low for a RevI. Thanks also to Dave Arnold and Ron Young for ideas, inspiration, and competition. Most of these modifications serve the purpose of making the spar/line attachment points far more streamlined so as to reduce the risk of snagging a line either during a launch or during normal flying when your handles are close together. 1) Handles Most Rev flyers have probably experienced the frustration of snagging a line on the metal rings to which lines are attached on Rev handles. It is a simple matter to do away with those rings entirely and install a new attachment method. Start by removing the rings (use a pair of plyers to pry them open). Next, remove the vinyl endcap. You'll see that the handle is hollow, and there will be two holes in the side from the ring. Use a file to smooth the edges of the end of the handle, then find a nail which will fit through the holes meant for the ring. Cut the nail short so that when the head of the nail is pushed tightly against the handle, the other end is flush with the side of the handle. Cut a small hole in the very tip of the vinyl cap and insert the end of a knotted loop of line through the hole in the cap. Pull the nail far enough out of the handle so you can slip the loop of line over the handle. Push the nail back through the other hole, and finally slide the endcap back on. The final result will be a smooth handle end with a piece of line sticking out from the very end. This line will have a knot at the end to which you can larkshead your flying line. 2) Bridle What bridle? You don't *really* want a bridle on your kite, do you? It's heavy, gets in the way, tangles with your lines on 3-D throws, and slows down the kite when you're really banging on the lines, jerking it this way and that. Go ahead and remove the bridle, though keep it handy should you ever want to reattach it. 3) Spar endcaps Again, we're trying to smooth things out so your lines won't get caught/tangled. What we're doing here is approximating the 3-D kit >From Revolution. First off, remove all the bungee, rubber grommets, and endcaps from your kite. You'll need a slightly lighter gauge replacement bungee. You'll next want to drill holes into the top of your endcap. It'll need to be wide enough to accomodate two pieces of bungee *and* a loop of line to which you'll attach your flying lines. Don't drill too big a hole or the bungees/attachment lines will slip right through. Experiement with a small hole and enlarge it if necessary. Be careful to drill at the center of the endcap and not at the edges; you can easily break the edge of the top portion of the cap (above the hole through which the bungee/bridle is normall attached). When you reattach the caps to the kite, you'll do so with all knots inside the endcap. Thread one end of the bungee through the new hole at the end of the cap. Pull out enough through the cap to tie a knot, then pull the loose end so the knot goes to the bottom of the inside of the cap. Thread the loose end of the bungee through the hot-cut holes on the sail, then thread it through the end of the cap. Tie a knot in the loose end, with the bungee as tight as possible. Perhaps the hardest part of this is getting the knots at either end of the bunge close enough to give enough tension on the sail. Finally, take a tied-off loop of line and feed it out through the end of the endcap. This should have a big knot inside the endcap to stop it from slipping through, and a small knot at the free end to which you'll attach your flying line. NOTE: these loops of line are only needed on the 4 endcaps at the ends of the vertical spars. The 2 caps at either end of the leading edge just need the bungee. The only "permanent" modification listed here are the holes drilled into the ends of the endcaps. These in no way harm the kite and it is a simple matter to restore the bridle and bungees to their original state. 4) Flying lines 50# or 80# braided Spectra is your best bet. 45# twisted Spiderline is nice in low winds, but the twisted line has lots of friction, effecting sensitivity of the kite. I've been flying on a short set of lines originally put together for rollerkiting; despite 300# on top and 150# on the bottom, the kite flies quite well in low winds. Your line length should be approximately 20-25'. Those 5 extra feet make a very noticeable difference. Try the kite with lines at the high end of the range and cut them down if necessary. Use adjustors on your handles to tune your lines. WARNING: with lines this short, your kite will be *extremely* sensitive, particularly in steady, moderate breezes. Again, these instructions are meant for folks who feel pretty comfortable with a Revolution. 5) Handle Size In a nice, steady breeze, the stock Rev II handles are suitable, though Rev I handles will give you slightly better reverse control. In lighter winds, I recommend the Rev I Ultralight Handles ("long throw"), even for the Rev II. The Revolution has an amazing ability to float, almost flat to the ground. With the longer throw on the handles, it is possible to achieve this flat float with the kite in a pure inverted position. With smaller handles, the only way to achieve this is through a longitudinal positioning of the kite, with the leading edge parallel to the wind direction. Longer handles (such as Rev I handles with a Rev II) will take some getting used to, but you'll adjust quickly and then start to wonder how you managed to fly with smaller handles! ------ Flight Tips With the kite set up as described above, you'll find that 3-D flying can be done in far more unusual styles and manners. It is not necessary to park the kite overhead before drawing it in to the flyer. The kite can be brought in from virtually any vertical position in the window, and even from the sides of the window, not just directly downwind. Standard technique is still to place both handles in one hand (left hand for righties) and jerk on the top two lines with your free hand. the kite will come toward you quite quickly and is very easy to snatch out of the air. Throws, too, will go much quicker. You must move fast to get each handle back in its proper hand and ready for flight before the kite reaches the end of the lines. One impressive move is to bring the kite in flat over the ground, instead of down from way in the air. The best way to practice this is to land the kite on its bottom tips, leaning back. Place both handles in your left hand. With your left hand, launch the kite by pulling back your arm a bit with the tops of the handles tilted back. As soon as the kite clears the ground by a few feet, yank on the top lines with your right hand. The kite will shoot across the ground right toward you! Once you've got a feel for how the kite will react this way, it's a much simpler matter to pull the kite in from most any vertical position in the window. You'll eventually find that this sort of 3-D flying can be done in widely varying wind conditions. With the kite presenting such a small profile to the wind when it's moving toward the flyer in a flat position, it's a simple matter to fly 3-D in winds of 15mph or higher. With an Ultralight I or II or Super Ultralight I in low to no wind situations, you'll find that it's a frustratingly simple matter to pull too hard on the kite and have it go soaring over your head. Believe it or not, this is a great feature. Instead of worrying about catching the kite in this situation, quickly turn around and be ready to walk backward when the kite reaches the ends of the lines. This move is vaguely related to an Over-the-Top such as one does with an ultralight delta. However, it is truly 3-D flying in that the kite does not stay at the ends of its lines. In addition to the 3-D flying, you'll find that a Rev II set up as described can be bounced around quite a bit. Strong, rapid jerks on the lines are quite effective in turning the kite in new and exciting ways. It becomes a simple matter do to all manner of flat spins, bounces off the ground, rapid reverses and inverts, and so forth. The impression I get from flying a bridleless Rev II on such short lines is very different from that of a delta or Rev on long lines. Insted of feeling like I'm making the kite dance through my manipulation of the lines, I feel like the Rev is a dance *partner*. It seems to be much more of a symbiotic relationship between two very different aspects or characters in a dancing couple. Part of this due to the interaction created by 3-D flying. But part, too, is caused by the heavy amounts of body language needed to finesse and strong arm the kite where and when necessary. It's a new style of flying, one that's exciting and invigorating. If you've gotten tired of doing the same old stuff with your Revolution and find that it's not coming out of the bag as much as it used to, give some of this a try. I don't think you'll be disappointed. -- |Jeffrey C. Burka | "When I look in the mirror, I see a little clearer/ | |SAFH Lite [tm] | I am what I am and you are you too./ Do you like | |jeffy@syrinx.umd.edu | what you see? Do you like yourself?" --N. Cherry | = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =